Research Institute for Media, Arts and Performance

The University has an Open Access institutional repository as a means of disseminating research outputs where you can view a list of recent publications from RiMAP.

• See our publications on drama, dance and performing arts
• See our publications on publishing and English literature
• See our publications on media and film

Additionally, see a summary of our recent publications and films below.

Recent publications

• Ashley T (2018) 'Mapping lineage: lineage maps by improvisation artists', Luton: Guildford Street Press.
  
  
• Ashley T, Weedon A eds (2020) 'Developing a sense of place: the role of the arts and regenerating communities', London: UCL Press.
  
  
• Ashley, T. (2023) ‘Steps Towards Decolonising Contact Improvisation in the University’ in Noyale Colin, Catherine Seago, Kathryn Stamp (editors) Ethical Agility in Dance: Rethinking Technique in British Contemporary Dance. Routledge.
  
  
• Carr, J. (2023) ‘Democratising Dance: Inclusion at the Core of Dance Education and its Impact’ in Noyale Colin, Catherine Seago, Kathryn Stamp (editors) Ethical Agility in Dance: Rethinking Technique in British Contemporary Dance. Routledge.
  
  
• Carpenter V (2018) 'The Tlatelolco Massacre, Mexico 1968, and the emotional triangle of anger, grief and shame: discourses of truth(s)', Cardiff: University of Wales Press.
  
  
• Cuffy, V and Carr, J (2023) (eds) Creole Cultures, Vol. 1: Safeguarding Creole Intangible Cultural Heritage. Springer Nature.
  
  
• Darwood N, Turner N (ed(s).). (2020) 'Interwar women's comic fiction: 'have women a sense of humour?', Newcastle upon Tyne: Cambridge Scholars Publishing.
  
  
• Darwood N, Owens WR, Weedon A (ed(s).). (2020) 'Fiction and 'the Woman Question' from 1830 to 1930', Newcastle Upon Tyne: Cambridge Scholars Publishing.
  
  
• Darwood N, Weedon A (ed(s).). (2020) 'Retelling Cinderella: cultural and creative transformations', Newcastle-upon-Tyne: Cambridge Scholar.
  
  
• Farmer G. (2018) 'Diurnal Sweigh: 365 poems', Newton-le-Willows: The Knives, Forks and Spoons Press.
  
  
• Farmer G. (2014) 'Pomes: incidental, uncollected poetry 2008-2013' , edn, Newton-le-Willows: The Knives, Forks and Spoons Press.
  
  
• Farmer G. (ed) (2016) 'Veronica Forrest-Thomson Poetic artifice: a theory of twentieth-century poetry / Veronica Forrest-Thompson' 2nd edn, Shearsman Books.
  
  
• Farmer G. (2017) 'Veronica Forrest-Thomson: poet on the periphery', edn, Switzerland: Palgrave MacMillan.
  
  
• Hallett L. Carpentier N, Schrøder K, (2013) (eds) 'Audience transformations : shifting audience positions in late modernity', UK. Routledge.
  
  
• Hockley, L. and Fadini, N. (2015) 'The happiness illusion: how the hedia sold us a fairytale'. London: Routledge.
  
  
• Hockley L Bassil-Morozow H, (2016) 'Jungian Film Studies: the Essential Guide', London: Routledge.
  
  
• Hockley L (ed(s).). (2018) 'The Routledge international handbook of Jungian film studies', edn, London: Routledge.
  
  
• Jarvis, T. (2014). The Wanderer. New Alresford: Perfect Edge Books.
  
  
• Jarvis, T. (ed.) (2020). Uncertainties Vol. 4. Swan River Press.
  
  
• Jarvis, T. & Valentine (eds) (2019). The Secret Ceremonies: Critical Essays on Arthur Machen. New York: Hippocampus Press.
  
  
• Mellor N, Ayish M (2015) 'Reporting in the MENA region: cyber engagement and pan-Arab social media', USA: Rowman & Littlefield.
  
  
• Mellor N, Rinnawi K. eds (2016) 'Political Islam and global media: the boundaries of religious identity', London: Routledge.
  
  
• Mellor N. (2017) 'Voice of the Muslim Brotherhood: da'wa, discourse, and political communication', UK: Routledge.
  
  
• Mellor N, Miladi N (ed(s).). (2021) 'Routledge handbook on Arab media: ', 1st edn, London: Routledge.
  
  
• Miles P (2019) 'Midlife creativity and identity: life into art', Bingley: Emerald.
  
  
• Piotrowska, A. (2014) 'Psychoanalysis and Ethics in Documentary Film', London: Routledge.
  
  
• Piotrowska, A (2015) 'Embodied Encounters: New approaches to psychoanalysis and cinema'. London: Routledge.
  
  
• Piotrowska A (2016) 'Black and white: cinema, politics and the arts in Zimbabwe', Routledge.
  
  
• Piotrowska A, Tyrer B (ed(s).). (2016) 'Psychoanalysis and the unrepresentable: from culture to the clinic:', Routledge.
  
  
• Piotrowska A (2018) 'The nasty woman and the neo femme fatale in contemporary cinema', Routledge.
  
  
• Piotrowska A, Tyrer B (ed(s).). (2019) 'Femininity and psychoanalysis : cinema, culture, theory:', Routledge.
  
  
• Randell K, and Weedon A (2023) Transforming faces for the screen: horror and romance in the 1920s. Springer.
  
  
• Rowinski P. (2017) 'Evolving Euroscepticisms in the British and Italian press: selling the public short' Cham, Switzerland: Palgrave.
  
  
• Rowinski P (2021) 'Post-truth, post-press, post-Europe: Euroscepticism and the crisis of political communication', Cham: Palgrave.
  
  
• Silverman J (2023) 'Britain likes to think it ‘stood alone’ against the Nazis. So why did it convict so few for war crimes?', Guardian, 13 September 2023.
  
  
• Silverman, J. and Sherwood, R. (2023) Safe Haven : the United Kingdom’s investigations into Nazi collaborators and the Failure of Justice. Oxford University Press.
  
  
• Weedon A, Barnett V, (2014) 'Elinor Glyn as novelist, moviemaker, glamour icon and businesswoman', Basingstoke: Ashgate.

Recent films

David Jackson:

• Winterlong - feature (2017)
• This Is Not My House (2014)

Dr Agnieszka Piotrowska:

• Repented (2019)
• Escape (2016)
• Forbidden Love - short (2016)
• The Suitcase - short (2015)
• Lovers in Time or How We Didn't Get Arrested in Harare - documentary (2015)
• The (Un) Finished Portrait of Lech Walesa - documentary (2015) – see agnieszka-piotrowska.com